Summer is now behind us, and it ascended to Olympus are two great film directors in France, Claude Chabrol and Alain Corneau. The first was considered the new Melville (undisputed master of the polar, ie the French crime), but Corneau despite a remarkable career, however, has never reached the heights of style of the Master. He was the author of valuable polar and huge blockbusters, managing to work with (almost all) of the great interpreters of the French, by Yves Montand (one of the greatest actors / singers from beyond the Alps) with Gérard Depardieu.
latter is the protagonist of the last film by Claude Chabrol, who died suddenly a week away from Corneau, and considered one of the most prolific and important filmmakers, not just French.
As the recent film, I will not speak of the plot, leaving the pleasure of discovering the persons concerned, but one thing is certain: it is a farewell to the cinema by Chabrol worthy of the best French tradition, a high-class thriller.
As a director, Chabrol has produced about fifty fifty-year career in film, Woody Allen has made maybe only better, but both have strung together an incredible array of hits, interspersed here and there with some setbacks (but who does not happen ?).
The field investigation director trans has been, since the beginning, the middle-class milieu, investigated with 'watchful eye surgery and the great anthropologist: Chabrol's bourgeois family was able to speak like no other, with stories (often criminal) very different between them, but with a common denominator, the hypocrisy and compromise that have always distinguished this class.
CORRADO ANTONELLO
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